The Mighty Majors

Greensboro, North Carolina’s long-lived Mighty Majors band ranks as one of the state’s best-remembered R&B outfits of all time, and we’re happy to tell of their origins with assistance from their founder, leader, bass guitar player, and sometimes producer George D. Bishop, III. Bishop is a native of Asheville, North Carolina who excelled at sports and served as student body president at the mountain town’s last African-American high school, Steven Lee. Outside of school, Bishop held down the bass in the Original Tams Orchestra of Brevard, North Carolina, who played behind the likes of Bo Diddley, Curtis Mayfield, and Gladys Knight. Upon his arrival on a music scholarship at North Carolina A&T in Greensboro in 1964, the eager teenager was asked to provide the backing at his class’s freshman talent show, for which he brought together fellow music majors. Their performance a success, and with encouragement to continue gigging, Bishop went for an obvious choice in name—the Majors—and began offering their services to national touring acts—their ability to read music meant they could learn the hits quickly—and Bishop also transcribed tunes for local producers and songwriters who needed to prepare lead sheets for copyright registration, including a young Walter Grady. Bishop graduated from A&T in 1968, but the band continued to play on high-profile gigs, and on one in Shelby, North Carolina that year, local promoter Ray Caviness dubbed them the “Mighty Majors”, and the lengthened handle stuck around. Below we’ve got audio, images, and commentary on all their recordings as the (Mighty) Majors and the Third Membrane, plus one as the Party Brothers. The latter, from their days backing up Jamo Thomas, might be their first, and it’s a funky nod to the college where their story began.


Gate City Records
In the early 1970s, Bishop founded his own Gate City label. Possibly the only release, this Crescent-City Sound Studio-recorded rarity showcases the Majors at their funkiest. Note the hand-stamped artist name; I have another copy that doesn’t have it!


Sounds Like Chicago
Around the same time as the Gate City effort, Bishop calculated that a shift in style might help reach new markets. Crafting what he looks back on as “a gay, uptempo, happy sound” in the form of “My Little Heart Starts Thumpin”—certainly influenced by famous pop/rock act Chicago—and pairing it with a strange, randomly-concocted name “Third Membrane”, Bishop co-produced with Jimmy Cheek the first of several releases by different artists for the local imprint House of Big Brother. We are aware of only one other ‘70s-era 45 on the label, by the Roy Roberts Experience. Check the drum break at about 1:38.


Sweet Soul
The aforementioned Kevan Tynes provides the falsetto on this lovely mid-‘70s track cut at Harry Deal’s Galaxie III Studios in Taylorsville, North Carolina (an earlier version was made at Bishop’s own Reel Time Studio, but it is unclear whether it was ever pressed) and released by Homer David Smith, owner of the Bandit label in Asheville. Richard Butler, later of Gaston, the flagship act of the Chocolate Cholly’s label, alternates with his gorgeous tenor. Many consider the result to be the Majors’ finest hour.


More On The Ballad Tip
Bishop does not recall ever giving authorization to Walter Grady to release “At The End Of The Tunnel”, but we’re glad it’s here on the B-side of this obscure disc. The “hit” side contains a drinking song entitled “Boom Boom Chug-A-Lug”.


In The Eighties
The group shows their rap styles circa 1984. I think I hear Bishop on one of the verses.



No never recored with them performed on tour with them in the 80’s George knows me well would love putting that group back together

Posted by Bobby wall  on  03/25  at  05:59 PM

dear bishop just a few l;ines to say hello, my sister say hello too pat. becool garey.

Posted by .(JavaScript must be enabled to view this email address)  on  04/25  at  07:00 PM


Posted by ERIC RICCO SAX RICHARSON  on  12/09  at  07:47 AM

The work ethic,sound reinforcement techniques,social etiquette,business acumen…these are a small part of the positive things learned from George and the people around him.It gives great honor to be counted as a friend.

Posted by .(JavaScript must be enabled to view this email address)  on  01/10  at  12:28 AM

Let’s see a photo with that good looking white guy, David Heller!!

Posted by .(JavaScript must be enabled to view this email address)  on  04/21  at  07:59 AM

I see no mention of Mack Bennett who sang with the Majors for years.
He was High Point’s original ‘Idol’ long before Fantasia!!

Posted by .(JavaScript must be enabled to view this email address)  on  07/29  at  10:53 PM

Hey,I used to dig you guys when you came to the Ghana in Greenville,you always made an impression with your show.I played t-bone with a local band and used to converse with your man I think was Moe .Those were some great times

Posted by .(JavaScript must be enabled to view this email address)  on  08/13  at  06:14 AM

hello old friend,  its Randy,  i played bass 4 the Majors, 73-76,  how r u George,its good 2 reconnect with u after all these yrs. Are u still playn? I still play & have my own band. Please drop me a line & lets catch up

Posted by .(JavaScript must be enabled to view this email address)  on  04/30  at  12:13 AM

Hi everyone; I am R.Butler one of the former lead singers of the Mighty Majors. I have been reading this page off and on and decided to make an entry. I cherish the days when our group was together. I still talk with a couple of my former bandmates from time to time. Those were some good times for us, we’ll never forget them. I truly appreciate some of the positive things that have been said about the group on this site. I gave up singing cold turkey for about fifteen years,however I started back again recently. Until next entry “God Bless”.  Richard Butler

Posted by .(JavaScript must be enabled to view this email address)  on  05/11  at  09:50 PM
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